The Good Student

‘It’s just a paper, Lilya! It’s not worth getting hurt for!’

‘I know, mum, but it’s not just a paper. Well, it is now but after I’ve done this – actually participated in a bullfight – it will be so much more than just another ethics dissertation!’

‘I can’t be there, you know. I can’t stand the sight of you killing animals like that.’

‘I’m glad you can’t make it. I really don’t need another pouting, judgemental PETA-face in the audience.’

‘I love you, Lil, but you will regret what you’re doing now. You’re nineteen and you’ve got your whole life ahead of you. Important as your dissertation might seem now, you will never forget that you had to… kill to write it. It is just a bull, an animal, but we both know how you are. You won’t ever forgive yourself if…’

‘Eat your stake, mom, and let me do what I’m here to do!’ Lilya growled at the phone, ‘it’s not even a proper bullfight, just a novillada!’ she added quietly, after hanging up.

Her capote, muleta and sword resting on the rooftop terrace floor, she realized she’d never felt more alone. The eccentric Finnish girl. The people at home could never understand why she wanted to be part of what they called a ‘barbaric tradition of killing animals for fun’; the local bullfighting aficionados disliked her for being a female and, in addition, a foreigner; the boys she attended bullfighting classes with couldn’t stand her for having to pose in the background while Lilya would be interviewed for TV, magazines and web-sites. ‘She shouldn’t even be here, let alone be famous! She’s not that good at bullfighting – she doesn’t deserve to be where she is! This is just a study for her – she doesn’t care about it.’ Lilya couldn’t help agreeing with these and other countless accusations being showered on her: she knew as well as anybody that a bullring was the last place in the world where she should be. Yet, every evening she stubbornly climbed the stairs to the rooftop terrace, gear in hand, practiced for at least two hours and then stared blankly at the roofs of Seville, the traffic in the busy Jose Laguillo steet, the windows of the hotel next door, the dust on her shoes; very rarely did she dare look into herself. Now, the night before her first real fight in La Algaba, she felt she owed it to herself to do so.

‘Good evening, professor!’ she greeted her dissertation supervisor on the phone, ‘I must speak with you about tomorrow.’

‘Thank you, sir; I’ll see you there in an hour.’

***

Sitting alone on her bed, barely able to breathe in her stiff suit of lights, de catafalco y oro, Lilya, was staring at the floor.

‘Vamonos, torera!’ one of her bullfighting teachers called cheerfully, knocking on the door.

Lilya’s eyes glistened in the dimly-lit room but didn’t move; her hands were shaking a little.

‘Vamos, mujer! Que llegamos tarde ya!’ Hearing no answer, he carefully pushed the door open.

‘No tienes porque hacerlo, Lilya, si no lo quieres de verdad,’ his kind whisper sounded next to her. Lowering his grey head so as to see into her eyes, he put his heavy leathery arm around the girls’ shoulders, noticeably fragile under the armour she was wearing.

Tu no tienes porque hacerlo,’ he repeated, ‘ya has demostrado que tienes mas cojones que nadie!’ She laughed quietly.

‘Tiene Usted razon, tenemos que darnos prisa,’ Lilya said resolutely after a moment’s pause, tension spreading down her body.

***

She had to hit that exact spot between its enormous black shoulder blades. Banderillas sticking out of the bull’s ravaged back helped her focus and aim. The girl took a deep breath.

‘That’s it, it will never be this hard again,’ she thought, hearing the deafening applause of the audience as a distant, dying whisper. When the black novillo stumbled and rolled in the sand of the ring, Lilya threw her head back and lifted her hands high in the air – like a bullfighter, a real bullfighter –still, all she could hear was the sound of her sword sinking into the muscular flesh of her now dead opponent. ‘Nothing will ever be this hard again.’

***

‘Well, you did it, Lil,’ her mother’s voice sounded from thousands of miles away, so far away that Lilya could barely hear it, her whole being full of that other sound. It was late in the evening after the fight and the girl was sitting cross-legged on the floor of her rooftop terrace. She listened carefully but couldn’t understand what her mother really meant.

‘It’ll pass, sweetheart! Just finish your paper and come home, and it’ll pass, I promise,’

‘I had known it wouldn’t pass before I walked into the ring,’ Lilya mused in response, ‘and it won’t.’ ‘You see, I forgot I was the researcher, not the subject of the research.’

‘You can be both, Lil. You can be anything you want to be – I think you’ve proven this much today.’

Slowly Lilya got up from the floor and stumbled to the edge of the terrace. Her blank stare wandered among the dark roofs, and cars, and people in the windows of the hotel across the street till it paused on a girl of about fifteen, reading behind the glass.

‘I fear I have proven the exact opposite,’ she replied.

Postcards from …

There are skeletons in my closet,

There’s an elephant in the room;

There’s something in the air and water;

Whispers spread as blue evening blooms

 /

I sit cross-legged in the corner

On the floor, where my fevered dreams

Lie before me, dissected, rotting,

Magic stolen from them – by me

 /

So I cut and paste back together

Mountain peaks, bullrings, oceans, ice

Smiling faces, well-wishes, curses,

Universities, slums, loves, lies…

 /

And the skeletons in my closet

Start to dance to forgotten chants

And the elephant kneels before me;

Smiling, we travel through my past

 /

To the time I believed in magic

And knew how to fulfil a dream;

Watching myself change, scared, I notice

 That I’ve grown tired, cold and meek

The Early Bird

I am falling

Asleep;

Don’t look at me like it’s too early:

My head is heavy on my shoulders

I’m breathing slow,

I’m breathing deep

/

I am crawling

Away;

This house I’ve never had a room in,

Four walls, a couch with tired linen,

Your voice – my quiet,

Endless shame

/

I am leaving

Behind;

The flood of memories is coming

To sweep me off my feet, still running

After the ultimate illusions

Of hope and light

/

Underground

I’m awake

I feel how spring spreads wings above me,

I hear how autumn mourns its summer

And winter is my quiet,

Endless shame

El Ritmo del Camino

Y todos los días – rezar:

Rezar con el cuerpo entero,

Rezar, caminando para atrás,

Hacia donde yo era Cualquiera

/

Y todas las tardes  – contar:

Contar con el reloj cansado

Los minutos que quieren saltar

Y huir de la noche pesada

/

Y todas las noches – llorar:

Llorar de dolor y de dudas;

En espejos de oscuridad

Se reflejan mis caras de Judas

/

Y cada mañana – lavar,

Lavar este rostro de polvo

Secarlo a la luz del sol

Y seguir hacia la Praza do Obradoiro

The Gift of Nothing

A gift of nothing from no one

Awaits me deep in the forest

Of withered trees and dry foliage,

Of echoes of long-dead songs

/

I look across the glass river,

The banks of which are my playground,

Whose liquid glass is my water,

Whose changing name is unknown

/

I look across at the forest,

Waiting for the gliding ferry

To come and dock at my threshold

So I could welcome Him home

/

He brings me voices of strangers

And coins from faraway countries;

He tells me stories of people,

Whom only He could have known

/

He says one day he will give me

My gift of nothing from no one,

And on that day He will tell me

The river’s name and His own

http://en.wikipedia.org/wiki/File:Isola_dei_Morti_IV_%28Bocklin%29.jpg

P.S.: Something to listen to if you liked the poem

http://en.wikipedia.org/wiki/Isle_of_the_Dead_%28Rachmaninoff%29